Ruth Tringham: Project Director (PI) and Field Co-Director

Ruth Tringham established the BACH project in 1996 and directed it in the field from 1997 to 2005 and co-edited its final monograph. She helped to establish the Codifi LHotH database and continues to work on its many iterations and afterlives

I retired from actively teaching in 2011 and am now a Professor of the Graduate School (Anthropology) at the University of California at Berkeley. I am one of the founders, the president and the creative director of the Center for Digital Archaeology (CoDA), a non-profit company, born in April 2011,  dedicated to helping archaeologists and cultural resource and heritage managers capture, preserve, and share digital content. My current research focuses on the life-histories of buildings and the multisensorial construction of place. Much of my  practice of archaeology since the early 1990s incorporates the utilization of digital, especially multimedia, technology in the presentation and archiving of the process of archaeological interpretation. In the printed version of Last House on the Hill, with Michael Ashley, I wrote in Chapter 3 about our use of digital technology in the recording and documenting our research and life in the BACH Area. By now I am recognized internationally as one of the leaders of digital education, media literacy, and digital publishing in archaeology. This interest in multimedia grows out of a lifelong passion for music, puppets and cultivating illusions of reality. If I had all the time in the world,(which perhaps I do)I would spend most of it creating the afterlives of the archaeological projects (called legacy propjects) on which I have worked. You can read more about these and me on my personal web site. With Mirjana Stevanovic, I co-edited the printed edition of Last House on the Hill, and wrote most of the first two chapters introducing the methodology and rationale of our research (Chapters 1 and 2). In the last section on the afterlives of the BACH Project, I contributed a chapter on archaeology's Public  Face at Çatalhöyük (Chapter 25) and Sensing the Place (Chapter 26).

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